Going West: The Poet’s Yew

Wales 195The rain continued as we walked from the Abbey to the church, the sky heavy and grey. Even the shelter of the trees was not enough to protect the lens from the constant drops, but it began to ease as we sought the solitary yew in the churchyard, beside which the mediaeval poet, Dafydd ap Gwilym, is though to be buried, although there is a dispute as to whether Strata Florida or Talley Abbey holds the poet’s remains.

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There are disputes too about the dates of his birth and death, though all agree that he lived in the mid-1300s, writing poems of nature, love and laughter that are still known and loved today. It seemed fitting that a bard should be buried beside a yew, one of the land’s sacred trees and as long-lived as verse. The hollow trunk seemed a portal to another world and, if Daffyd is not buried there… he should be.

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The rain paused for a moment, allowing us a good look at the Valley of the Flowers and its hills. It is a  truly beautiful spot. Above us we saw that the Pilgrim had company…and wings.

Continue reading at France & Vincent

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Names Matter: gatless…

Tom Tit Tot

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…Well, she were that frightened. She’d allus been such a gatless mawther, that she didn’t se much as know how to spin, an’ what were she to dew tomorrer, with no one to come nigh her to help. She sat down on a stool in the kitchen, and lork! How she did cry! …

…All on a sudden she heard a sort of knockin’ low down on the door.
She upped and oped it, an’ what should she see but a small little black thing with a long tail. That looked up at her right kewrious, an’ that said:
‘What are yew a cryin’ for?’…

…‘Wha’s that to yew?’ says she.
‘Niver yew mind,’ that said, ‘but tell me what you’re a cryin’ for.’…

…That oon’t dew me noo good if I dew,’ says she.
‘Yew doon’t know that,’ that said, an’ twirled that’s tail round.
‘Well, says she, ‘that oon’t dew no harm, if that doon’t dew no good,’ and she upped and told about the pies an’ the skeins an’ everything.
‘This is what I’ll dew,’ says the little black thing: ‘I’ll come to yar winder iv’ry mornin’ an’ take the flax an’ bring it spun at night.’
‘What’s your pay?’ says she.

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Good blues ~ Jules #writephoto

two half days with travel time
breaking our routines

salted airy sky on shore

Continue reading at  Jules Pens Some Gems

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Dear Wen: ‘Molten-Minds’…

Dear Wen,

There is no good reason why straight line thinking should be in charge, it is not only vacuum’s that nature abhors, and as anyone who served in the Roman (Acch phut!) Army will attest, marching in straight lines is very, very boring…

I don’t think it was a ‘time -slip’ either. It was more akin to the post Leaf and Flame ‘shin-dig’. Another curious event.

I suppose everyone seemed younger that night, although, I particularly remember Andy but possibly only because we saw him again two weeks later and he had aged so dramatically, but no more so than when we finally met up with James, some six months or so later?

I think it is a perception which is linked in some way to that of eternity, a beyond time state. We don’t know that these people ever really looked like this ‘in time’.

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Serenity ~ Balroop Singh #writephoto

Serenity is a state of mind, just like happiness. It has to be nurtured just like positivity. It is a learned emotion – if I may call it.

There is no need to search it, as it lies within us. It wears transient robes. It makes us smile when we look at a calm lake or a beautiful waterfall.

We may forget it when we get back into the competitive race of life. It recedes into the forgotten realms of mind, as it can be easily vanquished by the demands of time.

It doesn’t believe in competition yet it is a pearl that is most precious.

Continue reading at Emotional Shadows

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Interpretations

cartoon Grammar

“ … the standard translation of one of the chief scriptures of China refers to the venerable Lao Tse as “the Old Boy”. This sounds comical to European ears, yet it is not so far removed from the words of another Scripture which has been fortunate enough to receive translation at the hands of those who reverenced it; “Except ye become as a little child.” I am not a sinologue, but I incline to the opinion that the translation “Eternal Child” would have been equally accurate and in better taste.” Dion Fortune

Dion Fortune’s comment in The Mystical Qabalah struck me when I first read it, more decades ago than I care to remember. Nothing unusual there, as what I learned from her teachings over the ensuing years has shaped and informed my thoughts and personal journey since my grandfather gave me that book when I was fifteen. I still have that same copy, with his own hand-written notes on the fly leaf and margins… a glimpse of his interpretation of the teachings he too had discovered in those pages. I don’t agree with all his notes, yet some proved invaluable in opening the doors of understanding; even the ones I didn’t accept… as they too shed a different light by which I could explore.

The book, and that passage in particular, came to mind the other day as I was discussing the question of translation with one of my students. We were talking about the Bible and the numerous historical translations from originals that have been lost. Now it is true that by collating all the oldest surviving documents, it seems that essentially what has come down through the past two millennia is fairly accurate to the original documents… and the faithful who copied the texts so laboriously would, one imagines, have done so with loving respect and attention to detail. But translation? That is a different matter.

How is it possible to have a literal translation when any translator can only use both the idiom of the language into which he translates, and his own emotional connection to both the subject and the choice of words?

I remember translating The Little Prince by Antoine de Saint-Exupéry for my younger brother long ago. Translating the words themselves from French to English was easy. To make it read as beautifully as the original French was much harder and to capture the inner and hidden sense of the words, with all their nuances and association chains was nigh on impossible. The result may have evoked something of the original… and wasn’t a bad translation when I compared it years later to a professional one… but you could tell it was through my own eyes, heart and perspective that I had worked.

That’s the problem with translation and interpretation… the unconscious application of emotion, perspective and the bias of belief.

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Tetractys~ Cheryl #writephoto

Blues

Soft hues

Shore’s sharp edge

Clouds gathering

Black and lonely sand stretches out for light

Reblogged from Cheryl at The Bag Lady

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Waiting #midnighthaiku

Early riser’s gift

Molten possibility

Day waits to be shaped

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Reading tea leaves, first snow &chocolate eating mice ~ Mary Smith, AfghanistanAdventures#50

Reblogged from Mary Smith’s Place:

Lal-sar-Jangal, December 1989

Aug2020-001 (Custom)

One of the few friends I’d made amongst the women was Aziz’s elderly mother who visited me sometimes to chat over a glass or two of tea. Unlike most of the women, she did not hound me for blood pressure checks and injections – contenting herself with the occasional plea for aspirin.

Aziz’s mother – I never knew her first name and adopted the local custom of referring to her as Mudder-i-Aziz – Mother of Aziz – thought rather highly of her powers of prediction. In an effort to provide consolation over Jon’s delayed arrival, she would sit tracing swirling patterns in the dust with a forefinger. These she would study with the utmost concentration until able to pronounce, decisively, the date of his arrival.

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Solitude ~ Happysoul #writephoto

Shattered

Shocked, saddened,

Seeking some solace,

Soul searches sweet serenity!

Continue reading at Live Love Laugh Learn

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