Quiet #midnighthaiku

A moment of peace

Time out from normality

Quiet reflection

*

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Appointed ~ Di ~ #writephoto

Look, it wasn’t my fault OK?
They told me to take up position here as the appointed look out.
And that’s what I did………… look out.
No-one said anything about looking UP or DOWN, so how was I to know lightning was about to strike…

Continue reading at  pensitivity101

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Glimpsing the Wanekia by Jeff Bowles ~ Spirits of the West Anthology

Spirits of the West are often found in unexpected places.  They can be found in a saloon in Colorado territory, on a wagon train in the plains of South Africa, or on a distant planet in another galaxy. They can be the bringers of revenge or the protectors of the weak. Indulge yourself in eight paranormal stories with western spirit in Spirits of the West…

 Spirits of the West is available via

  Amazon.com or Amazon UK.

Glimpsing the Wanekia

Jeff Bowles

Ever since I was little, I had the sense there was another world lurking beyond this one. That if you could just peel back the shaggy off-colored wallpaper of reality, you could glimpse another universe entirely, one that might or might not have your best interests at heart.

I wrote Wanekia about twelve years ago, when I was just starting to get my feet under me as a short fiction writer. I’d written my first novel and had failed to sell it, so I took the advice of many an old pro and decided to scale back my efforts, learn to tell stories in short form, master that, then get back to writing books. That I was arrogant enough to assume I had it in me to master anything is beside the point, but honestly, I was writing and revising to completion a couple stories a week, totally smitten with the process. Story ideas came and then they went.

The two young heroes of Wanekia are full of energy, curiosity, and more than a little arrogance. They’re only boys, and as I look back on that time in my life, I realize I was barely a man myself. Maybe I was just channeling my own frustration, my inability to find something incredible in the mundane. Becoming a successful writer, it was the one thing I wanted most, and it was always out of reach, much like the promise made by the Wanekia himself.

I chose, I think, 19th century Native America because I grew up with a deep love and fascination for the great tribes that called this continent home long before my people, white Europeans and their descendants, claimed and took it. If I had the choice to write a story like this again again, I wouldn’t, because my personal dedication to social and cultural sensitivity has grown exponentially in the years since. Yet I did study Native American history in college, and I was interested in doing the place and time justice if I was in any way able. In my research, I encountered a fascinating messianic Piute figure called Wovoka, the Wanekia, a man who promised that his special Ghost Dance would wash away the whites and rejuvenate native peoples, allow them to take back their ancestral homelands.

He was an interesting character that blended into his mission the lore of his people and the creation and destruction stories told by the Christian missionaries who were everywhere at the time. I wanted to talk about spiritual things, but I lacked the awareness within myself to do it properly. I also wanted to suggest that the unseen powers of this world were very real and very powerful, and I suppose that does come across in the end. Magic is everywhere if we’re willing to look for it. I know that now, and I suspected it strongly then.

The truth is, I started writing science fiction, fantasy, and horror because I was never really satisfied with life as it appears on the surface. When I was a kid, I must’ve believed so firmly in another world I caused my own unintended and unwanted fear complex, a potent and very unnerving anxiety about death, the afterlife, and beings of conscious flowing energy, spirits, specters, terrors, frights. Ghosts.

Or whatever passes for them in reality. Because what’s the difference between a ghost and a being who simply lives beyond our knowing? And who’s really in charge of this place, anyway? What if the creatures who call themselves the lords of this world only want domination and control? And if a single being among them, or even a small group of beings, rebelled and attempted to help humans, aid them in their worries and strife, wouldn’t they be the ultimate heretics?

I put two and two together in my own small yet creative way, but this was not my story to tell. I firmly believe that. Like I said, I wouldn’t write it again if I had the chance. I’d let the idea pass through my mind, smile at it, and then allow it to disappear with my deepest respect. I do hope you enjoy it nonetheless. You must know that whatever you’re dealing with in this life, whatever hardships you’re going through, they do end, there is a next phase, and a next, and a next, and though that life of yours is short, eternity, the assuredness of something beyond, it’ll be there to greet you. That’s what I believe. That’s what I’ve always known.

But I don’t need to convince or convert you. Read the story and allow yourself to be whisked away to another time, another place, a dark dimension not quite as safe as the one you know and love.


About the author

Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The best of his outrageous and imaginative short stories are collected in Godling and Other Paint Stories, Fear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like Tales from the Canyons of the Damned, Podcastle, the Threepenny Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars.

Six authors… eight stories… explore the Spirits of the West…

 

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North-easterly: Sidetracked by Stones

As the tides would not allow us to cross to Holy Island before eleven, three of us were on the road early to visit a stone circle. It had been a late decision… very late, in fact, but as Gary lives a flight away in the Czech Republic, the chance to spend a little extra time together was too good to miss…and for that time to be in the ancient landscape. The others would have been long abed before we decided it was the right thing to do, or else they might have joined us as we drove out towards the Singing Stones of Duddo.

We had been there almost exactly a year before, on our way to the Silent Eye’s workshop weekend in Inverurie, organised by our friend, Running Elk. We had told the stones that we would be back one day, but had not expected that our return visit would be quite so soon. Duddo, though, is not only the best of the stone circles in the area, it was barely out of our way to the morning’s rendezvous.

There is a fair walk to the Four Stones of Duddo, which is their other common name. There are actually five, and were originally seven, but you almost have to be amongst them before you can see the shy fifth.  As we walked across the fields, the way seeming much shorter as we strode out with our long-legged friend, we told him of our previous visit, but not too much… the beauty of these places is in feeling them for yourself.

I can never look at the approach to this circle without thinking of Tolkien’s description of Amon Sûl, Weathertop, whose name in the elvish Sindarin means ‘hill of the wind’. He describes it as being crowned with teeth, and I have to wonder if Tolkien visited Duddo…and if it is the wind through the stones that has made them sing for well over four thousand years.

As we approached the threshold of their space, surrounded by the gilded remains of the summer’s harvest, a cloud of butterflies and dragonflies rose up and around us, in an unexpected moment of pure magic. Impossible to capture on camera…and perhaps a gift that needs nothing but memory, I have never seen anything like it before… and it happened again, a little while later, as we left.

Continue reading at France & Vincent

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Encryption…

*

Now they had unleashed the hounds the outcome of the chase was inevitable.

One shard of memory alone held hope…

Slipping into the museum without paying could only encourage capture…

The dark arches spoke of deep secrets too arcane to delineate…

Out of the shadowy recesses a thin form materialised.

Did that wan smile ever waver?

Continue reading at France & Vincent

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Ever One…

*

What is this

That you are?

*

It is spiritual…

It is absolute…

It is ineffable…

*

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Prophecy ~ Iain Kelly #writephoto

‘It is a given, Sir. It is only a matter of time.’

‘Nothing is a given yet.’

‘The votes are almost all counted. You have it, Sir. You will be appointed the next leader of the country.’

His eyes gleamed and I had to stop myself from giving in to his enthusiasm and optimism.

‘There are still powerful forces out there that might not let it happen.’

Continue reading at Iain Kelly

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The Horns of the Dancers ~ Abbots Bromley ~ from the archives…

Given a lousy headache and dodgy vision from the over-inflated flesh, I was glad to come across this old post. With the fallout from COVID keeping churches closed to visitors, and preventing many of our most ancient and mysterious traditions from taking place over the past year, it felt good to revisit, if only virtually, a thousand-year-old place of worship that houses the relics of a tradition that may go back even further, all the way into prehistory…

sculpture, abbots bromleyNot even I would gate-crash a funeral and this one, with a good fifteen vintage Porsches outside looked like it would have security of the type provided by very large men in dark glasses. I satisfied myself with a shot of the lych-gate and one exterior carving and rapidly moved on. It was bad timing, but the name of the village had attracted me, seeming to ring bells somewhere in memory. However, it was very obviously a ‘modern’ church, being no more than about a hundred and fifty years old, and rather grand. Not really our style.

random llama, abbots bromleyOn the other hand, the signpost at the end of the village pointed to Abbots Bromley… and that really had to be worth a visit. Especially as the first thing I saw in the village was a random llama… I have a thing about llamas these days, ever since the encounter in the Yorkshire Dales that had featured in Heart of Albion.masons mark abbots bromleyThe road north had been attended by an odd mix of brilliant sunshine and showers all the way up so far, but as soon as I parked the car the heaven’s opened. Sheltering under a big old yew tree I managed to snap the lych-gate before making a dash for the church stopping only to note the Ordnance Survey mark on the tower, one of the many that recorded elevation above sea level before  GPS made them redundant.

Chalice, stained glass, Abbots BromleyThe present church dates back to the thirteenth century, and it is thought a Saxon church stood there centuries earlier. As with all such places, the ensuing years have added their own signature to the structure. It is a peaceful place with some lovely stained glass and was, for a while, a welcome refuge from the torrents of rain.

St Nicholas' church, Abbots BromleyA modern silver-metalled sculpture dominates the nave, mounted high on the west wall, celebrating a thousand years of worship on the site. Two figures representing the human and the Divine walk hand in hand, ‘in non-metallic candour’ says the inscription. It should look out of place on the ancient stone, but somehow it fits beautifully.

black and white horns and the hobby horse

However, there is something else in the church that would have made it worth the visit even without the rest, for here are kept the horns of the famous Abbots Bromley Horndance. Hung on the walls of the north transept they seem both completely in keeping and very, very odd.

The original mediaeval Hobby Horse photographed by Simon Garbutt in the 70s, just before a new and more ‘realistic’ horse was carved.

The Horndance takes place in September every year and has done so for at least half a thousand years. The dancers themselves place the date of its beginnings at 1226, but, given the nature of the dance and the resemblance to the horned dancers portrayed in prehistoric cave paintings, it is possible that it is much, much older. Its history is lost in the mists of time… it may have begun as an act of sympathetic magic, perhaps, to ensure the health and survival of the herds of reindeer with which our ancestors themselves survived.

The Horndancers around 1900. Image by Sir Benjamin Stone

There is a record in the sixteenth century of the Hobby Horse, a central figure to the modern dance, that has inevitably changed over the centuries. Today the dancers and musicians include a Fool, Maid Marian and other characters along with the six horned dancers. The horns themselves, black and white, have been carbon-dated back to the eleventh century, a time when reindeer no longer survived in Britain and that, in itself, is a mystery. Were they imported to replace an even older set? Where did they come from…. Why? And when? But it certainly means that the horns are even older than the date given by the dancers…

postcard horn danceAll we know is that on Wakes Monday*, the village will see once again an ancient ritual drama danced in its streets. But on one rainy Thursday, I was lucky… I had the church… and the horns with their strange carved heads… all to myself and came eye to eye with the ancient, living history of my land.

The king stag* Covid permitting, of course… Wakes Monday is the first Monday following the first Sunday (Wakes Sunday) after September 4th…

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Appointed ~ The Indishe #writephoto

On a hot summer day , the sun beat down its sharp rays with a deep frown,the blue of the sky all the more radiant in its resplendent shine.The birds did not fly high but sang requiems perched on a shaded canopy of green.Their song did not echo for the zest there was none.The earth is raging hot letting out its vent on those still intent on tampering with it’s lot.

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Far #midnighthaiku

 

Summer’s golden stars

Close enough to touch the heart

Just too far to reach

*

 

 

Posted in Photography, Poetry | Tagged , | 14 Comments