Preparing the temple for the final ritual drama of the weekend is always bittersweet. It is the last stage of a journey that has been years in the making. This story, the tale of Gilgamesh, is older than any other we have used; the three years we have worked with it are but a drop in the ocean compared to the thousands of years it has been in existence.
The stories that we use, whether based on ancient texts or written specifically for the workshops, illustrate aspects of the human journey to awareness, which is the spiritual journey by another name. Not all stories have happy endings, but it is our job, when preparing the rituals, to end on a note of hope, and although the character of Gilgamesh seems to leave little scope for anything other than continuing disaster, there is always hope.
The character of the King, Gilgamesh, is so exaggerated that it is almost a caricature of the worst excesses of the human ego, but, like all good caricatures, elements of the depiction are recognisable and, to greater or lesser degree, present in every one of us. The incredulous horror with which we watch the King fall into every trap the ego presents, is made all the more poignant when we realise that we might all do the same, in essence if not in scale. We are left with the hope that whatever light he finds at the end of his personal tunnel will be bright enough to shine for us all.
Steve had done a magnificent job of embodying the difficult character of Gilgamesh. It is not easy to portray such a gamut of emotion. He cannot be played as a pantomime villain, gleefully indulging in evil machinations… he is, rather, a man who has an absolute belief in his own rightness and in the divine right of his kingship. As such, in spite of his Machiavellian manipulation of others and his rewriting of events to cast glory upon himself, he is, in an odd way, as innocent as a babe. He has no experience of being less than the best… in his own eyes at least. The very traits that have made him a strong warrior-king have prevented him from growing as a man. He simply knows no other way to be.
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