St Albans Abbey – ‘and unto God’…

The second post on our visit to the Abbey in St Albans a few years ago.

The first post can be found here.

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Where do you start? If the fabric of the building is made of fifteen hundred years and more of stone, then the sight that greets you as you step inside St Albans Abbey reflects a thousand years of art and craft and two thousand years of faith. Even the quotation etched on the very modern, inner glass doors… though biblical… is intriguing and unusual.

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The nave stretches… or so it seems… almost to infinity, which is, I suppose, the point of the two hundred and seventy-six feet of arches, dating back through time to AD1077. Glimpses of mediaeval wall paintings between the columns take your breath away and carved kings look down, as they have for the past seven hundred years, watching your progress… and you can only see half the inner length of the church from here.

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The very first of the stained glass windows is already intriguing. Although at first glance, it seems a fairly normal Annunciation window, closer inspection reveals it to incorporate a Simeon panel, along with the Nativity and a rare scene showing Jesus as a boy at work with Joseph’s tools, learning his trade as a carpenter. The next window goes on to show panels of the Baptism and some of the parables we have found of particular interest… almost as if, as soon as we had made it through the door, the building was reassuring us of its relevance to our research and adventures.

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Above the great west door is another of Grimthorpe’s huge windows. Originally there was once a fifteenth century window there, but unlike Scott, Grimthorpe was less sympathetic in his restorations and imposed a window of his own design on the western facade.

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This one is now filled with stained glass designed by another old friend, Ninian Comper,  who was commissioned by the town to create a memorial in glass to those from the Diocese who had died in the Great War. It shows the arms and flags of Allied countries and some of their patron saints, including St Alban in the foreground of the second panel from the left, holding the distinctive disc-topped cross that is his symbol and which is rather reminiscent of the Egyptian ankh.

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Beneath the second window of the north side is the font, a pale marble basin carved with the shape of the baptismal shell and winged heads. Its simplicity seems somehow at odds with the ornate font-cover suspended above it, carved with gilded figures of the evangelists, yet this disparity seems a common thread within the Abbey.

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The simpler forms and styles of a thousand years ago sit quietly beside the ostentation of later centuries. The political grandeur of statement seems gentled by the ghosts of prayer from the old Benedictine Abbey. The extremes of religious architecture sit easily together and the atmosphere is one of peace and beauty, unfazed by the passing of time or the overlay of fashionable extravagance. The Abbey doesn’t seem to mind… its changing face has seen fashions come and go, but at its heart, only the faith of its pilgrims seems to count.

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Seasons and Morning Mist ~ Wallie’s Wentletrap #writephoto

She remembered standing on that ridge overlooking that moorland. It had been a morning like this a little over a year ago. The sky had been that pale, cool pink softening towards a rainy afternoon chill. She remembered huddling under her cloak, trying to keep the rain out as they continued the long road to the false king’s castle.

Continue reading at Wallie’s Wentletrap

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One Thing (After Another)…

*

The soil of circumstance

Yields treasures of the soul

Continue reading at France & Vincent

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Wistful ~ Honoré Dupuis #writephoto

Subdued, we wonder: is this a new dawn,

the beginning of our futures?

Continue reading at Of Glass and Paper

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Becoming

First rose

Yet to open

Summer’s grace in waiting

Unformed beauty still becoming

Spring’s gift

All that will be is held within

Latent potential blooms

Growing from earth

To light

Butterfly cinquain for Colleen’s poetry challenge

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Your Besotted Eyes ~ Daisybala #writephoto

My pounding heart and your besotted eyes on me

Your yearnings intimately surround me

Everywhere, all round me is your tenderness

The verdant moors hug me giving your warmth

Continue reading at freshdaisiesdotme

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Change #midnighthaiku

Ruffled clarity

Winds of change obscure vision

Clouding the mirror

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Orkney – the Broch of Gurness ~ Deborah Jay

Reblogged from Deborah Jay:

During this strange phase of our lives, I plan to keep on sharing our tour of Orkney last year – so lovely to look at places we cannot currently visit.

Swapping time periods again, next came the Broch of Gurness. This is still pretty ancient – Iron Age, somewhere between 500 and 200 years BC. The site is also amazingly well preserved (like so many on Orkney) and you can clearly see the surrounding village of individual houses, and much of their interiors, as well as the broch itself.

So what IS a broch?

We visited one on Lewis (Outer Hebrides) a couple of years ago, also remarkably intact.

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Wistful ~ The Indishe #writephoto

A Haibun

The vast empty moorland extended into miles of lush greenery, virgin pristine forests. The rising rays of the sun warm pink seemed to blend into the misty moorlands,a melange of heavens and earth. The entire diaspora was in harmony.

Continue reading at The Indishe

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St Albans… ‘render unto Caesar’

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A few years ago, we set out early for a visit to St Albans. The beautiful sky soon clouded over, though, leaving us with a chill and persistent rain. We’d been meaning to visit the town for a long time, knowing that the history and stories associated with the place tied in heavily with many areas of our adventures… not least because of St Alban himself.

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Recorded as the first British Christian martyr, the saint was beheaded for his faith in Roman Verulamium, now the town of St Albans. There are many versions of his story and as we had not really researched them before we left, we had only the briefest of outlines. I remembered vaguely that he was a cephalophore, one whose voice had continued after his beheading… and that a spring had welled from the ground where his head had rolled; a common motif in the stories of the saints that seems to tie them to tales older than Christianity.

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Our problem with St Albans had been the Romans. There are some wonderful relics of Verulamium preserved there; indeed, Roman stone was used to build much of the later town and the Abbey… but the Romans have not really impinged upon on our adventures. They came, they saw, they conquered… and then they went home.

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It is true that their influence on British culture and history, both secular and religious, has been profound, but so far we have not felt the call to look at the interlopers in any great detail, so St Albans had been put on a simmering back burner for quite some time. But the saint’s name had kept on cropping up on our travels and we were having lunch just a few miles away… and, Romans or not, we had pretty much run out of excuses. But we would only have time for the Abbey… Rome would have to wait.

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We wandered through the town, passing beneath the fifteenth-century clock tower and through the undeniably pretty streets with the jostling facades of centuries vying for attention. The rain was not easing, the day had not lost its chill, but a hot Cornish pasty that constituted second breakfast helped relieve the gloom as we headed towards the Abbey.

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Haiku were posted at strategic points along the way, by writers from Parkinson’s UK, and as we entered the old Vintry Garden where medieval monks had once been interred, the recent excess of rain was immortalised in verse.

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It was from here we had the first real sight of the Abbey. It is a beautiful old building, but seemed rather ‘clean’ in some indefinable way. Lacking the usual plethora of medieval carvings and weathered stone from this vantage point, it did little to ignite our enthusiasm.

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Just a few feet further on, though, the history of the Abbey began to come into view. The unmistakable colour of Roman stone and tiles recycled from the ruins of Verulamium mix with the flint which is the only real source of durable local stone. The nave is the longest in England, the tower above the Crossing has stood at the centre of the church for a thousand years and is the only such tower to remain standing in Britain from that time.

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Although the town has been a centre of Christian worship and pilgrimage for over seventeen hundred years, the current Abbey church, unusual in that it is both Cathedral and serving Parish church, is a mere baby at a mere thousand years old. The hands of many men have worked on this building in the intervening centuries, including those of our old friend George Gilbert Scott and his son George Oldrid Scott. You get to recognise their touch, though here it is overlaid with the artistic disagreements of the Victorian era.

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It is the older history that attracts us though and although the rose window is the work of the Victorian architect Grimthorpe, beneath it the arched windows lined with the red of Roman bricks speak of an earlier time when the church was not an architectural battleground.

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Dragons watched from the western towers as we walked around to the front of the church in search of the visitor’s entrance. By a side door, a vestmented cleric waited in silence with a black-clad gentleman… the parish church would shortly be in service for a funeral and the east end of the Abbey closed to gawping tourists and researchers with cameras to serve its true purpose within the community.

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As we entered the great portal, flanked by the symbols of the evangelists, I think we already knew we would have to come back and see what we would not have time to see on this visit. And when we finally made it through the doors, there was no question at all…

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