False Notions ~ Reena Saxena #writephoto

paths
defined
by flank-sters
with much-needed shade
I walk on … under false notions
that I am capable of finding destinations

Reblogged from Reena Saxena

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A Thousand Miles of History XXXXII: Twin Bridges…

We were nearing the end of the road across Dartmoor and it was definitely time for refreshments. This was handy, as I wanted to stop anyway… and we could not leave Devon without at least one cream tea, even if we were only passing through and it was only mid-afternoon. Luckily, I knew just the place. Not only would there be scones with jam, cream and a nice pot of tea, but there just happened to be a couple of things I wanted to photograph.

Postbridge is situated where the road across Dartmoor crosses the East Dart River. The water flows dark and golden from the moor where it rises near Whitehorse Hill, tumbling over boulders or smooth as silk in quiet pools. Not all is as tranquil as it seems, though, for it is here that you are most likely to encounter the ghostly Hairy Hands grabbing your wheel as you drive across the moor.

An earthen lane circles a raised grassy area containing a large stone

Image: Fiona Avis, Geograph.org

Not far away too, there is the tragic grave of Kitty Jay, a pregnant mother rejected by her lover around three hundred years ago. In despair, she took her own life and was buried at the crossroads. This was the custom for suicides, so that their ghost would be confused, unable to find their way home and thus unable to trouble the living. Every morning there are fresh flowers to be found on her grave, though no-one knows who puts them there. Locals say it is the piskies…

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Heather Valley ~ Smita Ray #writephoto

The trail alluringly undulates for miles approaching the widespread rocky terrain. The purple heather fields sluggishly crouches around the valley and girdles towering hills and precipitous cliffs. With golden sky bespattered by soft feathery clouds the valley gleams like a cristal in the daylight.

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Happy Child ~ Anjali Sharma #writephoto

When the Sublime red of the rising sun,
Saunters on the earth,
Enlighting the whole universe,
It’s all brightened up giving a new birth,

Continue reading at Positive Side Of The Coin

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To dare, to dream, to be…

‘To know, to dare, to will… and to keep silent’… this is a phrase heard within many branches of the Mysteries and one which echoes facets of the labyrinthine journey undertaken by those of us who work within them. It is an old saying, but none the worse for that, as much of the magical and mystical tradition is rooted in history. It contains much wisdom… a veritable treasure trove that responds to exploration by the meditative mind.

When we were setting up the Silent Eye, talking about how we could encapsulate something of the essence of the School’s ethos in a few words,  that phrase was the starting point for a discussion. The school is a place where we ensure that ‘the heart and the head drink from the same stream’. It is just as easy to get lost in soggy sentimentality as it is to bury oneself in hardcore intellectualism and on the spiritual journey both ends of the spectrum need to arrive at the consensus where we find the road to Being.

It takes courage to set out on that road, for it is ultimately one that must be walked seemingly alone, facing the image of the constructed Self; the Ego that is our vehicle through this life in the mirror of the soul. It is not always a pleasant stroll; the flawed monsters that lurk within each of us are the demons the magician faces in his rites of evocation. It takes courage too to set out on a path that departs from the traditions and teachings you have worked with all your life and seek something new. To dare that road can seem like stepping off a precipice into the unknown… or it can be the most exciting voyage of a lifetime.

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Wild Purple Fields ~ Tessa Dean #writephoto

l“Hey Michael, how far do you think it is till we hit our campsite,” Billy wanted to know.

“I don’t know, Billy, the green forest looks pretty far away from here.”

They stood at the beginning of a long path through the purple heather that led to the distant green hills where they and their father were planning on setting up camp. They had run ahead of their father and were waiting for him to catch up. He was slowly huffing and puffing his way towards them.

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Dragonfly #midnighthaiku

red dragonfly on blue rope

Myths and legends fly

Imagination’s fancy

Borne on wings of glass

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The Real Archery ~ Nicholas C. Rossis

Reblogged from Nicholas C. Rossis:

I was reading an interesting answer on Quora about Mongol strategy when a battle description caught my eye:

Seeing this, the archbishop spurred his on his horse and gave them chase. Eventually, they reached a marshland and they crossed it swiftly. The archbishop did not notice this when he was quite close to them and hastily entered it. Being weighed down by their armor, he and his men could neither cross nor return. But the Tatars turned around quickly, surrounded the marsh, and killed them all with a shower of arrows. The archbishop escaped with three or four men and returned embossed to the city, quite irate because of the loss of his men and that the king did not send any help to them

by Rogerius of Apulia

Mongol horse archer | From the blog of Nicholas C. Rossis, author of science fiction, the Pearseus epic fantasy series and children's books

Mongol horse archer. Could this guy’s arrows really penetrate plate armor?

My understanding was that the main Mongol invasion of Europe happened in the 1240s, when full-body plate armor was not widespread (that only happened toward the middle of the next century). Still, it looks like the Mongols did face plate armor… but of what quality?

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Summer Green-joyed Dreams ~ Goff James #writephoto

Reblogged from Goff James at Art, Photography and Poetry

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A Thousand Miles of History XXXXI: An Unexpected Encounter…

We took to the backroads again, nodding to Drake’s statue as we passed through Tavistock once more, climbing up towards Dartmoor. On our way south, the mists had closed around us completely and we had seen little more of the wild beauty of the moors than the first few yards and the tarmac in front of the car. This time, the skies were clear, and the few miles over the moor looked like taking a while, as I could not resist stopping at almost every possible place.

Dartmoor is an ancient and unspoiled landscape. Once, long, long ago, it was forested, but our early ancestors began creating clearings to attract game. That worked so well they no longer needed to follow the herds, but settled down, forming the communities that left behind them a landscape rich in archaeology. A landscape we would not have time to explore on this trip, sadly.

Rocky tors crown the peaks where heather, gorse, and bracken rule over almost three hundred and seventy square miles of moorland. There are innumerable stone circles, settlements, cists, cairns, standing stones and stone rows… I think you could spend a lifetime up on the moor and never fail to marvel at the richness of its history or its bleak beauty. And if the archaeology were not enough, there are many legends and old stories to explore, from the Hairy Hands that grab a driver’s wheel, to tales of piskies for whom saucers of cream are still left at the door, black dogs, strange beasts and the occasional ghost.

And then there are the ponies. The pure-bred Dartmoor pony is now rare, with only a few hundred on the moor, where once there were thousands. The decline of the tin mines and the advent of mechanisation meant that the hardy, gentle ponies with their thick winter coats were no longer an economic necessity. The few that remain are kept in enclosed areas to prevent interbreeding with the semi-feral hill ponies that wander freely over the moor. It is these that the visitor is most likely to see and, thoroughbred or not, they are a delight. We were lucky to see many mares with tiny foals, some finding their feet and exploring, others just resting amongst the grass and wildflowers.

The relationship of man with these beautiful creatures can be traced back at least three and a half thousand years and their bones have been found in tombs on the moor. There is no way of knowing, without evidence, just how long ago man and horse began their symbiotic relationship, but one of the earliest artworks that remains in Britain, dating back around twelve and a half thousand years, is a carving of a horse that we had seen at Cresswell Crags, far away in the north. The ponies continue to play a critical part in the ecology of the moors, trampling down gorse and bracken, and at least one species of butterfly is wholly dependant upon their presence.

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