Where do you begin when you have to write about a cathedral? Each chapel, every corner, every nook and cranny is replete with art and history. The sensory input is so much that all you can do is walk and attempt to catch the aura of the place and snippets of information as you marvel at how much of the past is preserved in wood, stone and colour. For me, outside is a good place to start. Apart from places like Lincoln where the outside is overwhelming as what lies within the walls. It gives a chance to get a feel for the place and seems to put what you will find into context.
Not that we had a lot of choice… the mayor-making was taking its time and, until they were finished, we were left with the refectory and the exterior to play with. The refectory is a lovely space, with high, clear glass windows overlooking the cloisters. It now holds a cafe and an art exhibition was in progress while we were there, but instead of mangling the ancient architecture, a floating, self-contained mezzanine has been installed that barely touches the old walls. It does spoil the proportions of the lofty space… but it is a practical and not unattractive compromise that allows modern usage of an otherwise impractical height. It also serves tea and, while several of the party lingered over that welcome beverage, I wandered off to look at the walls.
Not just the cathedral walls, but the remnants of the old town walls built by the Norman lords not long after the Conquest. The walled enclosure dates back to at least the 12th century, and the contours of the earthworks still remain visible. The tower that now houses the bells was added a century later and was once the consistory court of the bishops and also houses the bishops’ dungeon. The gatehouse and taller south tower came a hundred years after that.
Continue reading at France & Vincent