Gilgamesh descending (4) ~ Steve Tanham

Steve continues his view of the Lord of the Deep weekend through the eyes of Gilgamesh:

And as I watch Gilgamesh ascend towards the vast cliff-edge from which his life must fall, I wonder about the origin of the ‘play’ in human consciousness. The plot already contains characters – one of whom is dominant. They have their ‘I’s’ when invested with a player, an actor, who gives the ancient words new life. These I’s are as garments, waiting to be stepped into. If they are well-written, as Lord of the Deep was, they will be coherent and real, provoking a response of reality – merging the actor with the ‘I’ of the part she or he plays…

Precisely because of this ‘gift from the gods’, this human ability to ‘become’ someone else, we have both playing (as children, for example) and drama. When that drama is deliberately infused with a seed which will take root in the consciousness of the player, then we have a mystery play. A ritual drama sets the mystery play within a space which, through repeated use for the ‘good’ in the human soul, has a power of its own.

Continue reading at Sun in Gemini

About Sue Vincent

Sue Vincent is a Yorkshire-born writer and one of the Directors of The Silent Eye, a modern Mystery School. She writes alone and with Stuart France, exploring ancient myths, the mysterious landscape of Albion and the inner journey of the soul. Find out more at France and Vincent. She is owned by a small dog who also blogs. Follow her at and on Twitter @SCVincent. Find her books on Goodreads and follow her on Amazon worldwide to find out about new releases and offers. Email:
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