Why Myth? IV… Stuart France

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‘Gilgamesh is among the greatest things that can ever happen to a person.’
– Rainer Maria Rilke.

Those of you with an eagle eye will have realised that next year’s Silent Eye, Spring Workshop has a mythological theme.

It is based upon The Epic of Gilgamesh which is a story worked up into its present form over four thousand years ago.

Prior to its re-incarnation as an epic poem it existed as five independant mythological episodes, which, as we traditionally split our April Workshops into five ritual dramas tends to suit our purposes rather well.

But why do we insist on revisiting the past in this way?

It is our contention that drama as we now have it derives from sacred drama as practised in the mystery temples of old where it was used to develop the psyche of the neophyte and initiate them into the sacred and secret realms of higher living and life.

Continue reading at The Silent Eye

About Sue Vincent

Sue Vincent is a Yorkshire-born writer and one of the Directors of The Silent Eye, a modern Mystery School. She has written a number of books, both alone and with Stuart France, exploring ancient myths, the mysterious landscape of Albion and the inner journey of the soul. She is owned by a small dog who also blogs. Follow her at scvincent.com and on Twitter @SCVincent Find her books on Goodreads and follow her on Amazon worldwide to find out about new releases and offers. Email: findme@scvincent.com
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2 Responses to Why Myth? IV… Stuart France

  1. Jack Eason says:

    Reblogged this on Have We Had Help? and commented:
    Not sure I approve of folk taking liberties with the classic tale…

    Liked by 1 person

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