The Feathered Seer – Divining meaning

‘In former times the soul was feathered all over’


The third ritual of the workshop weekend was named Deadshaw Sick after the strip of land that divides the lands of the living from the lands of the dead at Barbrook. On one side of the stream are the hut circles that mark the place of a settlement, on the other, the stone circles and cairns of their dead. It was there that the Seer had come into consciousness, and there too that we had spent a strange afternoon after the previous workshop. The land had seemed alive in an indescribable way, as if we had somehow ‘lost’ centuries and were vouchsafed a glimpse into a distant past and the stone circle ‘showed’ us how it could have been used. On that day, the land itself formed the ritual space of purification and offering and we could see quite clearly how it lent itself to the needs of the Seer…  but that is another story. Seated on the Companion Stone, we had, in a matter of minutes, mapped out the entire workshop in great detail… detail that was almost immediately lost. But the seeds had been planted and ideas sown that would, in the way of such things, germinate in their own time.

Like flowers, ideas respond to the conditions in which they grow and to what elements are brought to bear on their  evolution. Much of the workshop had to wait to be written until thoughts, strewn as unidentified seeds across the landscape of possibility, revealed their inner nature. Some things could not be written until they were understood… others could not be understood until they were written. Others still may not be understood until they are brought into being in our lives. It was a waiting game… elucidation came in its own time and under many guises, impossible to predict where, when or how the ideas might bloom.

One idea we wished to carry into the temple was that of divination. Bratha, whose name, as far as I can discover, comes from an ancient word for ‘knowledge’, was a seer to her people. They lived at a time when technology meant stone… from the tools of everyday living to the cairns and circles of their rites. We had, on that strange day after Leaf and Flame, gathered heather-wood amid the cairns, thinking to carve divination sticks from their twisted forms. Every time I tried to work on them, I seemed to get distracted…until we realised that wood had more to do with the story we had just told than the one we were yet to tell.

If Bratha’s people had used stone for all else…what else would they use for divination?

We gathered crystals instead…

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About Sue Vincent

Sue Vincent is a Yorkshire-born writer and one of the Directors of The Silent Eye, a modern Mystery School. She has written a number of books, both alone and with Stuart France, exploring ancient myths, the mysterious landscape of Albion and the inner journey of the soul. She is owned by a small dog who also blogs. Follow her at and on Twitter @SCVincent Find her books on Goodreads and follow her on Amazon worldwide to find out about new releases and offers. Email:
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