I watch as he runs. I am tired of his slow-witted learning. Act Four is half way through, but already he has exhausted the patience of everyone but his mother….

Where did that come from! One of the features of a central role in these mystery plays is a certain degree of exhaustion. Even if you are familiar with it, the script will have many points where you will wish you had studied it in more detail. Sometimes the fine details cannot be pre-written into the script, and have to be adapted to the conditions on the day.

We three – the annual writers in rotation – are by no means above making a mistake or three… and these crop up as part of the ‘testing’ that must apply if this ritual drama experience is to be raised beyond a simple ‘reading’ of the text.