The Feathered Seer – Patterns of enchantment

 

 

‘The hidden world has its clouds and rain, but of a different kind. Its sky and sunshine are of a different kind. This is made apparent to those not deceived by the seeming completeness of the ordinary world.’

Jalaluddin Rumi

For the final ritual, the setting we chose was Arbor Low, the great stone circle within a henge. Its is unusual as it contains a central cove beneath which ancient human remains were found and the stones lay flat as if gazing at the pattern of the heavens; there seems little evidence that they were ever standing. Our own experiences at the stones were to provide the basis for the ritual… but as the essence of the workshop evolved, so did its final form of re-enchanting the land.

It is odd how things work out sometimes. One aspect of the five rituals had been put in place before we had even considered the Feathered Seer as a workshop. We had planned to incorporate the idea the year before during Leaf and Flame and were all set to do so, right up until the moment came. Then, without really knowing why, we felt it had to be put to one side. It was part of one of the unscripted sequences, so only two of us realised that we had skipped a portion of what was planned.

We work with the symbolism of the enneagram, a nine pointed schematic that we use to represent the journey of the human personality, the soul and the universal process of Becoming. Part of this journey is represented by a pattern of movement around the stations. We had planned to ‘move’ each of the Companions to a station representing what could be called a higher aspect of themselves. It was only afterwards that we realised how wrong that would have been. What happens within these rital dramas is symbolic of a wider reality…and in this case, a very personal one. We could not move them… it is something each of us must do for ourselves, journeying through life until we reach where we need to be. Thus it was that, this year, each of the Companions symbolically walked the Paths of Being and Becoming for themselves in a dance that married process to progress.

The simple movement was a beautiful sight, with each Companion walking the pattern from their own unique place and perspective, carrying with them the light of consciousness. For those who watched, it was a glimpse of something very special.

There is a tendency to separate the sacred from the mundane, the physical from the spiritual… to see the two as somehow different, even though they are two sides of the same coin. Movement is an expression of life and life an expression of spirit. As the flame was passed around the circle of Companions, we saw spirit in motion; creating a pattern, warp and weft of the soul.

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About Sue Vincent

Sue Vincent is a Yorkshire-born writer and one of the Directors of The Silent Eye, a modern Mystery School. She has written a number of books, both alone and with Stuart France, exploring ancient myths, the mysterious landscape of Albion and the inner journey of the soul. She is owned by a small dog who also blogs. Follow her at scvincent.com and on Twitter @SCVincent Find her books on Goodreads and follow her on Amazon worldwide to find out about new releases and offers. Email: findme@scvincent.com
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