Melding #midnighthaiku

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Never black and white

Seasons blur the edge of time

Winter dreams of spring

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Protagonist in the Hotseat of Truth – Tallis Steelyard

Reblogged from Tallis Steelyard:

Welcome to the Hotseat of Truth, a device in which a protagonist is trapped. The only way to escape is to answer five searching questions completely honestly or the Hotseat will consume them to ashes!

Today’s victim is Tallis Steelyard, the creation of Jim Webster. Tallis is the leading poet of his generation. Married to Shena, he lives on a barge tied to the Fellmonger’s Wharf. Shena is a mud-jobber, a dealer who buys finds from the shore-combers who scour the mud of the estuary and sells them on. Tallis is a jobbing poet, earning his living from his art.

Port Naain is the largest city on the west coast of ‘The Land of the Three Seas’. It is situated on the estuary of the River Paraeba. Described by some as a wretched hive of scum and villainy, like all cities, it meets you half way and reflects back to you your soul. So Port Naain has erudite literary salons, delightful tea rooms, bordellos, respectable young ladies supporting themselves honestly, thugs, mages, sages, chivalrous condottiere, slums, fine houses, bad beer and reasonable coffee. All human life is here.

Question 1:  What is the most important principle you adhere to in life?

When everything is said and done, I still have to be able to look myself in the face when I shave.

Continue reading at Tallis Steelyard or read the original post

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Offering of the Past ~ Penny Wilson #writephoto

The Offering: painting and photo © Sue Vincent at scvincent.com

She walked toward the Pinnacle with hesitant steps.  With hands shaking, she carried her past in a silver chalice.  Laying the vessel at the base of the luminous structure, she turned.  With only the future ahead, her steps now light as air, she forged ahead, excited about what lay ahead.

Reblogged from Penny Wilson Writes

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Something in the air? And three books by Alan Richardson

It was a surprise, said author Alan Richardson, to see her pop up on my Facebook page. He had just released a book about her… and we had just spent a weekend delving into the story of Gilgamesh, a ruler of the ancient culture that had carved the iconic image.

I felt I had to read the book, not just because Alan’s work is always an enjoyable read, but as one of the most respected and irreverent esoteric writers, there was bound to be a breadcrumb trail to follow.

The Moonchild is a curious book, telling the story of a little girl, born in 1966 and eventually placed in a children’s home. As she grows, her true nature is revealed, while she is cared for by ‘Granny’ and her friends in the peaceful, West Country valley. But, just as Lilith is no ordinary child, neither Granny nor her friends are quite what they seem…

It is not a book to be read in one sitting… at least, not every time. To begin with, the story carries you as you try to penetrate the veil of mystery that surrounds Lilith, never quite sure where the story will lead. A second read sees you carried by something else entirely. Parts of the book seem to ‘work’ like a guided meditation as you follow Lilith out amongst the stars… and where she takes you may depend upon what you carry with you.

But The Moonchild was the second book Alan had released recently that coincided with our own adventures. We had, for years, doggedly refused to go down the Templar path. It had, we decided, been done to death, thanks to its inclusion in popular fiction. But the Knights kept cropping up on our adventures and, after writing about their presence in Somerset and our visit to Templecombe, I had a message from a friend.

“Have you seen Alan’s latest? Bit of a coincidence… ” I clicked the link she sent… and ordered his new book, The Templar Door.

Not a dry and scholarly tome… it is the author’s experiential exploration of a breadcrumb trail that takes him down a good many, seemingly unconnected, pathways in a manner that we recognise all too well from our own adventures in the landscape…

Two such coincidences would have been ‘just’ coincidence. But when Alan’s latest book comes out, The Sea Priest: Inner voyages to Light, hard on the heels of our own trip to the Western isles and not long before we plan to return there… because, brief though our stay there was, the life in the land, the light and the rainbow seas have captured us and are drawing us back… And then there is the ‘coincidence’ that all Stuart’s posts recently on France & Vincent have used the moon as an illustration… echoing the cover of Alan’s new book…

I bought the book.

It is said that ’three is the charm’… and I have to wonder if there is ‘something in the air’ that wants to make itself felt…


Alan RichardsonAbout Alan Richardson

Alan Richardson has been writing weird, wonderful, winsome and frequently embarrassing books for longer than many of his readers have been alive. He has done biographies of such luminaries as Dion Fortune, Aleister Crowley, Christine Hartley, William G. Gray and his own grandfather George M. Richardson, M.M. & Bar. Plus novels and novellas that are all set in his local area weith accompanying scripts. He has a deep interest in Earth Mysteries, Mythology, Paganism, Celtic lore, Ancient Egypt, jet fighters, army tanks, Wiltshire tea shops, Great British Actors and Newcastle United Football Club. He does not belong to any group or society and does not take pupils because most of the time he hasn’t a clue what is going on.


Find these, and all Alan Richardson’s books on his Amazon Author Page


The Sea Priest: Inner voyages to Light,

In the beginning, I planned to sail this book toward Brittany and track down Morgana le Fay, even peering through her witch-mists to the peculiar heart of Atlantis, where I thought she might be lurking. I was determined to summon, stir and call her up. In the event, at the very start of my literary voyage I was boarded by a very real Celtic Christian named Moluag, and was driven by strange inner currents toward an island in the Hebrides that wouldn’t let me go. The original title of this book was to be Raasay – an Inner Route to Everywhere. Somehow, I touched on that island as a living entity rather than just the barren lump of rock and soil, as I had assumed it was. Raasay and Moluag, with the unlikely help of William Wordsworth, have taught me that we can all make voyages that are tied in with the fertile magick of the Earth, its Seas, and our own daily experience. It was written as I went along, never seeing beyond the horizon as to what the next paragraph would reveal. As such it’s more a casual journal and an inner travelogue than an attempt at a text-book. It also includes FPD’s superb manual of self-initiation into the Faery Realms that was written in the late 1930s when the old mage was at the height of his considerable powers and was Dion Fortune’s very own Moon Priest. The Sea Priest, I hope, offers help in navigating your own inner voyages. It is as much a set of simple inner techniques that we can ALL adapt and make use of, as it is about a historical person and geographical destination.


The Moonchild

There is a deep esoteric tradition that the next Christ will be female. But what if She was already here, influencing and changing the world without anyone knowing? What if She has already transmitted Her ancient gnosis into you, without you realising?The Moonchild is set in a hidden (but very real) valley in the West of England and details the birth and upbringing of a little girl called Lilith, born in 1966, who has to learn to be an Earthchild first before she can begin her secret mission as the legendary Lady Babalon. Along with On Winsley Hill and du Lac, I’ve used a certain rhythm in my prose to try and trigger things off on differing levels of the readers’ minds and I hope this will be the case here. At very least I hope to have made use of the Annunaki in a whimsically provocative way that might get your pulses racing.


The Templar Door

I am not chasing the Holy Grail, the sacred Head known as Baphomet, the Ark of the Covenant or anything to do with Sacred Bloodlines. I simply want to know why the Templars of Wiltshire seem to have haunted me for some years. I will take the reader on what I hope is an unusual and rumbustious journey as I try to commune with and ultimately release these revenants from my psyche. Necessarily, I will be talking about: crop circles, spirit paths, telesmic interfaces, poltergeists, High Teas, plasma energies, hand bags, ley lines, bull-roarers, picnics and Close Encounters of the Fifth Kind (including, bizarrely, my encounter with an alien in a shopping centre); past lives, parallel lives, Spirit of Place, pseudo-Cathars, faux-Templars, group souls and Higher Beings (whom I don’t trust much) and of course buggery and humbuggery among the Templars themselves. This is not a scholarly tome, but I hope that there are enough yarns, tricks and techniques within it that might open the readers’ eyes – all three of them – and leave them feeling they’ve had an enjoyable jaunt alongside me.

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Welcome to Purgatory ~ Fandango #writephoto

I was one of a group of half a dozen rather unworldly-looking beings, almost ghostly in our appearance and seeming to be without material substance. I had no memory of how I got here and no knowledge where I was. But I knew that I wasn’t in Kansas anymore.

It was very dark and I could see nothing other than a blueish glow emanating from my companions and me. They all seemed to be as confused and disoriented as I was. I tried to speak but, I could produce no sound.

Continue reading at This, That and the Other

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Offering ~ Goff James #writephoto

Reblogged from Art, Photography and Poetry

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Whitby Weekend: Lastingham’s Holy Wells

The weekend was almost over, but before we reached a parting of the ways, there was lunch in the seventeenth century Blacksmith’s Arms opposite the church and a wander around the village of Lastingham to visit the holy wells.

The first well, St Ovin’s Well, we did not see. It is tucked away on the road that leads towards Pickering and all that remains is the eighteenth century well housing… neither spout not basin have survived. The well’s origins, however, are much older… as are those of the other wells in the village. St Ovin was a Fenland Bailiff of Queen Eltherdreda who turned his back on the life of the nobility to serve his God with his hands. Perhaps that is a true nobility after all.

St Ovin’s Well, Lastingham, ©hiddenteesdale.co.uk

The next well is dedicated to St Chad, brother of St Cedd and Bishop of Lichfield. The well housing sits beside the road and, Steve told us, used to flow until very recently when the owners of the property found out they were being charged for the water. There is a legend that says the remorseful Mercian king, Wulfhere, converted to Christianity, acceding to the wishes of his wife, Queen Ermenilda, after punishing his sons for worshipping at the well… though there is no guarantee it was this St Chad’s Well and the story may be linked to the well of the same name at Lichfield.

Continue reading at The Silent Eye

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The Seeing ~ Jane Dougherty #writephoto

Sabh took the silver bowl outside into the starlight and into it poured water from the well. The summer sky was shot with stars that blinked on and off behind the drifting clouds. She listened. No sound came from within the house; the baby slept and her mother too. The serving women watched, murmuring among themselves perhaps but low as a lullaby.

Continue reading at Jane Dougherty Writes

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Free #midnighthaiku

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Far from grasping hands

Beyond constraint or control

Dreams and souls fly free

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What’s in a Name? – Beatrix – Behind the Mask by Sally Cronin

Reblogged from Smorgasbord:

There are names that have been passed down through thousands of years which have powerful and deep-rooted meaning to their bearers. Other names have been adopted from other languages, cultures and from the big screen. They all have one thing in common. They are with us from birth until the grave and they are how we are known to everyone that we meet.

Beatrix – Behind the Mask

Beatrix De Carlo took her final bow before the audience that filled the theatre to capacity. There had been four curtain calls, as those who had watched her last performance of this critically acclaimed production, showed their appreciation and adoration.

Beatrix remained in character, gently smiling and waving her arm regally at both cast members and audience in turn. Her silver hair shone in the stage lighting and the fake diamonds around her neck sparkled as if to deny their false nature.

Finally, the curtain came down for the last time and members of the cast rushed forward to clasp her hands and utter niceties to her. One after another they politely offered their thanks before heading off to embrace their fellow actors.

Beatrix could hear them making arrangements to meet up for drinks in the pub around the corner.

Continue reading at Smorgasbord

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