Category Archives: The Silent Eye

Steve continues his view of the Lord of the Deep weekend through the eyes of Gilgamesh: And as I watch Gilgamesh ascend towards the vast cliff-edge from which his life must fall, I wonder about the origin of the ‘play’ … Continue reading →

One of the ‘simple pleasures’ of working on the Silent Eye workshops is that I get to fulfil my dream to run a wardrobe and props department. I love the challenges of making things work. Most of the time, we … Continue reading →

In order to indicate the passage of time and distance in our story, we tend to walk the circular form of the temple. The third ritual drama began with Shamhat giving Enkidu one of her own scarlet robes and leading … Continue reading →

Steve continues to share his experience of the weekend from the perspective of Gilgamesh: Entranced by the living spell that is the movement of the Fate Dancers across their patterned marble floor, I, Gilgamesh – for the other is passive … Continue reading →

The first part of the second ritual drama was easy enough to design. The Trapper…who looked so good in his costume, he should really dress that way all the time… brought the news to Gilgamesh that a strange and wild … Continue reading →

* …You begin to hear distant sounds… The hub-bub of city streets… At first faint… Grows gradually louder… Market sellers ply their wares… Children shout and laugh at their games… And behind the city sound-scape a lyre weaves its reedy … Continue reading →