The Giant and the Sun – The one with the swallows…

We had assigned our second church, All Saints in the village of Piddletrenthide, to Mars, but nothing less warlike could you imagine than the tranquil stream and thatched cottages that surround one of the finest churches in the area.

Like the previous church, it has an inordinately tall tower, surmounted by more really intriguing gargoyles. Not for the first time, I am grateful for the long lens on the camera, which allows at least a glimpse of what is hiding in plain sight, just too high to see. It is an interesting church with a lot to see…

There is a plaque in the churchyard pointing out the Dumberfield graves… the family that was the inspiration for the D’Urberville family in Thomas Hardy’s book. Being a local man, Hardy crops up on many of the places we visited.

There are heraldic beasts perched on every protuberance around the exterior of the church… which, on closer inspection and in spite of their regal appearance, seem to be the symbols of the Evangelists… quite unusual they are too, given their placement. A sundial still casts a shadow to tell the time… and, like the one at Buckland Newton, it bears the ‘daisy-wheel’ symbol that had intrigued us at Cerne Abbas.

Beneath it, the Norman door is closed against the ingress of baby swallows. We watched their aerobatics… the parents seemed to be taking the babies out for a training flight and we were lucky enough to see them circling within the porch. For some reason, swallows seem to favour church porches as nesting places.

There are Norman carvings on the capitals of the pillars within the church too, but most of the present building dates back only to the fifteenth and sixteenth centuries… and was inevitably and heavily restored in 1852 by John Hicks, though he left the squint in place, through which worshippers in the side chapels could see the Host being raised and which, rather oddly, today seems one of the most vibrant details.

There are a number of very fine Victorian memorials, showing weeping women, broken pillars and all the usual visual tropes of grief from that era. Apart from their historical and artistic value, these elaborate memorials never draw me.

Continue reading at The Silent Eye

About Sue Vincent

Sue Vincent is a Yorkshire-born writer and one of the Directors of The Silent Eye, a modern Mystery School. She writes alone and with Stuart France, exploring ancient myths, the mysterious landscape of Albion and the inner journey of the soul. Find out more at France and Vincent. She is owned by a small dog who also blogs. Follow her at and on Twitter @SCVincent. Find her books on Goodreads and follow her on Amazon worldwide to find out about new releases and offers. Email:
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4 Responses to The Giant and the Sun – The one with the swallows…

  1. Anne Copeland says:

    That all these beautiful churches and ruins and even the stones survived all these centuries is indeed a message of hope and strength and a kind of faith that brings peace back time and again, even through the worst of things that mankind can think of.

    I was reminded of something else in an earlier post about a stained glass partial view of the crucifixion with all the flowers. I mentioned seeing the roses on my right looking at the window, and the flowers on the left were white and yellow, colors that were mentioned in that or another post, and also those flowers had eight petals. So much wonderful symbolism. Thank you all so much.


  2. Pingback: A Dorset Weekend With The Silent Eye – Part Three | Journey To Ambeth

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